Arts Calendar
Aug. 9 - Sep. 7
Monday-Friday 10 a.m.-4 p.m. opening reception Aug. 9 4-7 p.m.
Ruined State(s) No. 2
Brazos Gallery at Richland College
12800 Abrams Rd
Dallas, TX
Richland College is proud to present Ruined State(s) No. 2, an exhibition by San Diego artist Robert Andrade, showcasing plans for a West Dallas public artwork. The exhibition will present a sculptural variation of the proposed earthwork along with several drawings and digital images. By excavating the city plan of Washington DC into an estranged urban lot, the proposed public work explores shifting states of dominance through symbolic markers of power. Finding a forgotten, derelict site with a view of the downtown Dallas skyline, Ruined State(s) No. 2 imagines a temporary sculptural excavation. Disrupting the site to imbue it with new context, the work will allow community interaction as a way to contemplate systemic entrenchment and urban/political decay. Exposing sentiment as the underpinning of cultural value and stability the work considers the grandiose as comparable to the banal. For information: (972) 238-6339 or www.richlandcollege.edu/gallery
Monday-Friday 10 a.m.-4 p.m. opening reception Aug. 9 4-7 p.m.
Ruined State(s) No. 2
Brazos Gallery at Richland College
12800 Abrams Rd
Dallas, TX
Richland College is proud to present Ruined State(s) No. 2, an exhibition by San Diego artist Robert Andrade, showcasing plans for a West Dallas public artwork. The exhibition will present a sculptural variation of the proposed earthwork along with several drawings and digital images. By excavating the city plan of Washington DC into an estranged urban lot, the proposed public work explores shifting states of dominance through symbolic markers of power. Finding a forgotten, derelict site with a view of the downtown Dallas skyline, Ruined State(s) No. 2 imagines a temporary sculptural excavation. Disrupting the site to imbue it with new context, the work will allow community interaction as a way to contemplate systemic entrenchment and urban/political decay. Exposing sentiment as the underpinning of cultural value and stability the work considers the grandiose as comparable to the banal. For information: (972) 238-6339 or www.richlandcollege.edu/gallery
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