Baritone Kyle Logan Hancock’s opera and operetta credits include Doctor Dulcamara from L’elisir d’amore; Figaro, Bartolo and Antonio from Le nozze di Figaro; Sarastro from Die Zauberflöte; Noye from Britten’s Noye’s Fludde; King Melchior from Amahl and the Night Visitors; Captain Corcoran from H.M.S. Pinafore; The Duke of Plaza Toro from The Gondoliers; The Mikado from The Mikado; the Custom House Sergeant in La Bohème; and the Cappadocian in Salome (The Dallas Opera; Fort Worth Opera; The Living Opera, Richardson; First Presbyterian Church, Dallas; Regal Opera, Colleyville; the dell’Arte Opera Ensemble, New York City; and the University of North Texas).
On the oratorio stage, Mr. Hancock has sung the bass solos from Händel’s Messiah; Verdi, Mozart and Fauré’s Requiems; Brahms’ Ein Deutsches Requiem; Ralph Vaughn Williams’ Five Mystical Songs; Schubert’s Mass in G; Raphael and Adam from Haydn’s Creation; and Pontius Pilate and Jesus in The Passion of Saint John by William de Bruyne (First Presbyterian Church, Dallas; Church of the Incarnation, Irving; Woodhaven Presbyterian Church, Irving; Brookhaven Choral Society, Dallas; The Masterwork Chorus of New Jersey; and Coro Lirico of New Jersey). In musical theater, he has performed Cinderella’s Prince/Big Bad Wolf in Into the Woods and Liver Lips Louie/Cuban Dancer in Guys & Dolls (Theatre Coppell).
Kyle has actively sung in The Dallas Opera, Fort Worth Opera and Dallas Symphony. Since 2004, Kyle Hancock has been the bass section leader for the Chancel Choir at First Presbyterian Church, Dallas, where he also rings in the handbell choir and plays French horn.
Mr. Hancock has studied voice with Judith Ritchie, Julian Reed, George Hogan, Mike Scarborough and Jeff Snider. He holds a Master of Science Civil Engineering from the University of Oklahoma and currently works in the field of commercial real estate law at Dooley & Associates.
J. Erik Jonsson Central Library First Floor Auditorium
1515 Young St